A charmer as handsome as Apollo, women’s favourite, undisciplined, a bruiser, a fascist: Who was he actually? Who was Dimirtar Spisarevski? The film is a panopticon of a kind of different segments of our society today, which in a funny and absurd and at times, in a dramatic and a fanatical way asserts their right to have their own opinion and interpretation of the character and the right to identification with him.