01.01.2011
is a love story, dynamically told in the style of an adventure drama. The name stems from the game pin-ball and means a full blockage. The main character, Stash along with three of his friends dreams of opening their own bar with pin-ball machines, pool tables and cool music. The accidental meeting of Stash and Becky leads to a dangerous adventure, which puts the characters into a real-life tilt situation.
01.01.2011
A train station. A platform. A multitude of passing trains. A man and a woman on a train go toward each other, from one carriage to the next, from one meeting to the next, from one situation to the next. Until they finally meet. And then they come closer to one another...
01.01.2011
12-year-old Rado, son of the water polo coach Stoichev, is almost a punk now. Mr. Stoichev thinks he’s been a good father and he can’t understand why does his son want to run away from home with ‘just the next junkies he has met on the street’.
01.01.2011
This is a film about the lost time, the missed opportunities and the unfulfilled dreams – things that are hard to admit they have happened to us. And this is not funny at all... yet, all the same, Merci!
01.01.2011
Several parallel stories about people who are trying to change their lives via the Internet or are simply having fun online. Philip seeks casual sex in Internet dating. He falls in love with an online ghost wihout knowing she is his wife. Andrey is a hip journalist working on an article about online communication. His experiments in the virtual world almost make him lose touch with reality. Emilia finds fast liquidity relationships in the NET. Desperately seeking her mother`s attention, Emilia`s teenage daughter decides to run away with a guy she met online... Bulgarian theater director meets in youtube British music producer. Will she find out that he is the perfomer of her favorite song?
01.01.2011
This a nostalgic journey to… our present; a documentary about a small town in Bulgaria situated to the left of the main world routes, inhabited by descendants of Bulgarians expelled from Aegean Thrace and Macedonia, which nowadays lie outside Bulgaria. The film brings together history and memories, love and envy, camels and buffaloes, broken vocations and pride, shyness and self-confidence, the search for family roots and emigration, a comedy festival and personal tragedies, dolmens and tipis, destruction and creation, romance and reality, essence and insanity, oneness with Mother Earth and alienation, happiness and misery, despair and stoicism.
01.01.2011
While hitchhiking to the funeral of his art school friend, Kamen meets Ave, a 17-year-old runaway, who is looking for her troubled brother. With each ride they hitch, she invents new identities for them and gets Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with her.
01.01.2011
reveals the two faces of one Bulgarian town: the socialism of yesterdays and the pop folk music of today. Built in the 1950s as the symbol of the socialist system and the bright future, Dimitrovgrad has turned into a symbol of the capitalist dream and pop folk. The wind of change swept the older idols only to reinstate new ones. The film is a merciless dissection of the transition period after 1989 told from the point of view of several ordinary families from the town of Dimitrovgrad in southern Bulgaria. 20 years after the onset of democratic changes past and present, nostalgia and luxury coexist in two parallel worlds – in the Club of the Brigadier Movement Participants and the pop folk club.
01.01.2011
They have never studied the art of filmmaking. Nevertheless, they are some of the most popular figures of Bulgarian cinema. They are tightly connected to its history. The audiences love them. None of their films contains hidden, though elementary truth. All truth is shown close-up. They had been friends from before they started working together. They are the magnificent three, as if taken from classics: sometimes the three musketeers, sometimes three men in a boat, sometimes three men on the bummel, but mostly, they are three men contra mundum. Jackie Stoev, Johnny Penkov and Charlie Iliev take you for a carousel ride in the fun-fair of their life, where attractions include more past than future, old and new stories, film bits and cuts, anecdotes and a lot of tommy rot, scattered over two centuries and two regimes. At the end one is convinced: if the price of freedom is to look like an idiot, it is not that high.