1999

01.01.1999

THE TWO JOKERS

The film is addressed to the youngest spectators. It’s a story about a circus clown, who fails to make the audience laugh, and about a tomato, which seeks to imitate him, but provokes more troubles than fun. Only when the clown and the tomato ally, the spectators are satisfied.
01.01.1999

GLASS MARBLES

Two close friends spend the night together in an empty apartment. They are waiting for the new lover of one of them. She has decided to leave her husband and stay with him. They are also waiting for a truck-load of cans of cheese – a part of some shady business affair. Along with their conversations, childhood memories and fights we find out that the two men are waiting for something else. Love and death, the meaning of life and the absurdity of the daily grind are mixed together.
01.01.1999

WIZARDS

This is a story about a fantastic world where magic and miracles are an integral part of reality. Skilled wizards promote the development of their secret science while ordinary people can only suspect its existence and the real place it occupies in their life. The events the film relates are unleashed by the unhealthy ambition of a genius who searches for conquering the world – a none too uncommon occurrence up to now in any world, known or unknown.
01.01.1999

Living in a ghetto

The film presents the everyday life of the inhabitants of the Stolipinovo neighborhood in Plovdiv.
01.01.1999

THE UNWANTED

The film tells about one of the ethnic cleansings in the Balkan peninsula, which took place in the latest 80-ies in Bulgaria. The consequences of it are lasting till now. The film tells the stories of three women and their devided families. Each of them experienced in her own way this tragedy. This is a story about the people who were robbrd in their identity, but who, nevertheless, are full of inexhaustible passion for survival.
01.01.1999

THE CONSTITUTION AS HISTORY

The film traces the history of the Third Bulgarian State from 1879 till 1947 and observes the application and the violation of the Turnovo’s Constitution and the events that followed. The film tries to relate the legal basis of parliamentary democracy to the historical facts and goes deeper into the dramatic history of Bulgaria from the last quarter of the XIX century and the first half of the XX century.
01.01.1999

STRIVING FOR NOVELTY

The film presents how in the second half of the XIX century down the Danube river from Europe into Bulgaria were rushing art and letters and civilization, that bit by bit were awakening the craving for novelty mind of the Bulgarians. Initially the modern mentality made its way among the best representatives of the Bulgarian national revival at the time. And it finds its expression in enterprise, in new look upon the economics, upon money-making and expense, upon living standards and education.
01.01.1999

SIRAK SKITNIK (ORPHAN VAGRANT)

The film relates the life and art of Panaiot Todorov (1883-1943), known for his poetic pseudonym Sirak Skitnik. Painter and critic at the same time, he is one of the most prominent personalities in Bulgarian artistic life of the period between the two World Wars. He influences different fields – the fine arts, architecture, theatre, cover design, radio programs… Nowadays he comes to be almost completely unknown to the public at large in his own country. His brilliant pen though is still topical and his judgments  prove to be trustworthy.
01.01.1999

DARK HOURS DON’T COUNT

20 years after Marin Marchevski has made another film about his former heroes Gosho, Tsetso, Boncho and Nedelcho. The four men speak about the hindrances and challenging experience they have lived through in the past years. Their stories – funny, sad, comprehensive, sometimes even absurd – reflect life in Bulgaria after the upheaval. The film is also about the undying courage of the four racers – four passionate dreamers, who remained true to themselves and never let hardships break them.
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