01.01.1996
Growing old is an art in itself. How difficult it is to cast off the habits and perceptions of a lifetime to keep up with the demands of a new age. Is everything permitted in the New Age? Can every threshold be crossed? Do the human and ethical values of the individual mean anything? The full moon is as big as an orange. Clouds fleet across its face. People disappear into the distance, suffering and wandering, looking for themselves and the truth about their lives.
01.01.1996
The world was shocked by the actions of a single Bulgarian. A month after the death of Charlie Chaplin, Kuncho Kunchev disinterred his body. Was that good or was it bad, or was it indeed the thruth?
01.01.1996
Emilia’s friends are portrayed in a number of separate but interrelated cameos. On an individual level each cameo reveals the life of a single person. Viewed as a whole they portray the common human characteristics of a group of friends and the different ways in which they are coming to terms with the world in which they live.
01.01.1996
A story featuring a colorful mosaic of characters, light humor and kindness but also painful revelations. It offers a refreshing view of childhood where time and space have different dimensions, where the long summer passes by in a flash and a moment might seem as long and as rich as an entire season and where the imaginary and real worlds are interwoven in a rich and complex unity.
01.01.1996
Adelicate analysis of the movements of human spirit and love between a man and a woman, which has the power to reveal the beauty of the soul from the cradle to the grave. The love theme is developed through the subtle interaction of a number of independent cameos and a variety of characters with almost nothing in common: glimpses of life connected only by the irony of an elderly man, who is in love with a young woman.
01.01.1996
Man to nature is what cancer is to man. Is man compatible with хature? We should not be trying to restore the old natural balance. We should be trying to create a new harmony between the urban world of man and the Great Wild World. If we want to be a race with a past we have to look into the future. God has not granted us the power to rule the elements. We, therefore, have to achieve harmony with them.
01.01.1996
The film consists of three cameos about three types of life, three ways of dealing with existence. The first of them is a pastoral scene of a shepherd who tends his flock atop the Kalin mount. The second cameo is a dramatic account of the watchman in the power station near Kalin. The third is a tragic tale about the psychiatric hospital in the village of Pastra.