Animation films

  • , , – continuation of the sequels which started in 1958. It is only the child who is able to view the world with a pure heart and to laugh at it. To laugh at it lovingly and to  justify it through laughter. Annie mocks at stupidity, injustice, ugliness in human behaviour. At times, she also exposes herself to ridicule in her impulse to gain knowledge of the world. She makes us laugh but she also evokes love.
  • The Wolf wakes up with a scream from a horrible nightmare full of chasing and starts preparing himself for a date with the gorgeous Little Green Riding Hood. The only problem is that the Wolf is really awake in his nightmare. After a series of such false wake-ups, she finally appears on the doorstep. They spend an unforgettable night with supper, but the price is too high – his beloved pig pet is sacrificed and served for breakfast. The Wolf braces himself to put an end even to this nightmare, just to end up back in reality, dressed in grandmother’s clothes awaiting the... Little Green Riding Hood.
  • A knight rides to date the lady of his dreams. Meanwhile a dragon attacks her. The knight dashes to rescue her out. In the fight that follows he becomes aware that the lady is not the one he has dreamt of. But he finds a way out of both the unwanted princess and the dragon… and continues his quest for Miss Right.
  • A series of cameos in which two characters, a man and a woman, find themselves in the strangest and most ridiculous of situations with unexpected endings. Nine amusing episodes with a hint of eroticism.
  • This is a story about the terrific love affair of a wolf and a sheep. The wolf is forced to suffer numerous wants and to bridge over thousand hindrances in the name of love, but as it usually happens in life, the wolf is made a fool and again becomes the wolf, that he used to be.
  • It’s all about love. Weather forecast: sunny spells with occasional showers.
  • is a film project throwing a bridge between poetry and animation. It visually interprets 6 original contemporary Bulgarian poems, each told in a different manner. Animation has no limits and very much like poetry renders visual symbols and metaphors powerful. Stories of doomed paper boats, intimate links to film genres, petty morning crimes, ice-cream hopes, urban moods, and industrial revelations are interwoven in this visual poetry experience. , dir. Asparuh Petrov
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